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In an adjacent room, walls decorated in potato prints backdrop a pair of costumes titled.
With enormous pink and æske til vm spillekort silver heads, festooned with handcrafted mustaches and supported by prosthetic apparatuses, these costumes draw viewers into a quasi-theatrical world.
Isabelle Weis, médiation, carole Jung, sandra Lieners, lucie Majerus.
We hope you enjoy the show.Night Shift has two meanings here.Bourscheids decision to display the outfits as sculptures illuminates the down time that surrounds performances, before thespian garb merges with performer.Each of the pavilions five rooms unfolds its own enigmatic narrative.In the exhibition, night Shift, fort explore the theme of night and darkness.

The Casino Luxembourg rooms remain dark throughout the exhibition, with only the works shining with their own light and providing some orientation for visitors.
Always, Bourscheids work seeks to transform conservative understandings of arts role in our daily lives, from our loves to our daily work.
So stell ich mir die Liebe vor (2015).Luxembourg Pavilion at the Venice Biennale.Raised in southern Luxembourg by a seamstress mother and a welder father, Mike Bourscheid often uses performance and sculpture to interweave stereotypes of masculine and feminine labor.The Goldbird Variations (2016 which is emblematic of Bourscheids engagement with work, fashion and sexual identity.Direction, directeur : Kevin Muhlen, expositions, résidences d'artistes / production : Christine Walentiny.Night Shift, the first solo exhibition by the artist duo fort to be held outside of Germany.But a South African proverb tells us that even at night, milk is white.For all their supposed familiarity, the objects and settings created often have a subtly surreal character and evoke an eerie atmosphere of emptiness and desolation.Embracing absurdity in the most caring way, Thank you so much for the flowers testifies to the fact that art is not defined by objects alone, but by processes and stories through which they move.The exhibition was developed especially for the Casino rooms and consists largely of new productions created in Berlin and New York during a studio grant from the Hessische Kulturstiftung in 2016.Upon entering the pavilion, viewers will pass through a long corridor lined with birch panels and antique wooden cookie moldsa preface to multiple curious tangles of familial and social custom.Sandra Schwender, marc Szaryk, assistant multi-service, nuredin Ismajli.With the support of, oeuvre Nationale de Secours Grande-Duchesse Charlotte, Fonds stART-up.